Exhibition

Günther Förg Appearance at Hauser & Wirth

Hauser & Wirth presents the first solo exhibition of Günther Förg (1952 – 2013) in Los Angeles. The exhibition will focus on two generations of Förg’s ‘Gitterbilder’ (Grid Paintings) and marks the return of one of the most significant German artists of the postwar generation to California after nearly thirty years.

start date

September 14, 2021 10:00 AM

January 9, 2022 8:00 PM

location

Hauser & Wirth, Arts District DTLA

Hauser & Wirth is pleased to present the first solo exhibition of Günther Förg (1952 – 2013) in Los Angeles. On view from 14 September 2021 through 9 January 2022 in the South Gallery, the exhibition will focus on two generations of Förg’s ‘Gitterbilder’ (Grid Paintings) and marks the return of one of the most significant German artists of the postwar generation to California after nearly thirty years. The formal conversation at play in the exhibition will foreground Förg’s deep art historical roots while celebrating his distinctively sensuous approach to gestural abstraction—a hallmark of his multifaceted five-decade career.

Having pioneered a visual language that simultaneously exemplifies and subverts the tenets of modernism, Förg’s prolific body of work ranges from painting and drawing to sculpture and photography, sidestepping easy categorization by candidly appropriating and re-imagining canonical art historical references, such as the work of Barnett Newman, Mark Rothko, Cy Twombly, Edvard Munch and many others.

About the artist

Günther Förg was born in 1952 in the region of Allgäu, Germany. His career began in the early 1970s as a student at The Academy of Fine Art Munich. During his studies, Förg developed a practice grounded almost exclusively in grey and black monochrome. These early investigations into grey – also called ‘Gitter’ paintings – demonstrate the beginning of a lifelong commitment to conceptualism. As he stated, ‘Grey is nothing: not white, not black. Something in between. Not concerned with the figure. Something free.’ While the artist later incorporated color into his monochrome series, his use of grey represents a neutral foundation from which he conceived his oeuvre.

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